有機、手感、溫度 — 刻版印画｜何華仁版畫展主視覺
木刻版畫由來甚遠，現今雖已不再作為商業大量印刷使用，但仍見於諸多藝術創作之中，一筆一刀刻鑿出見想於腦海中的畫面，蘊含了有機感與手感，傳達的情感層次皆非數位影像所能比擬，如此細細打磨的精神更能將溫度刻鑿入畫面之中，畫面經營的是黑白劃分的世界，但情感傳達卻更顯無界線。
本次將展出木版畫的工作現場，並藉何華仁藝術家的鳥類版畫作品，呈現版畫的有機、手感與溫度，從中細品藝術家細心經營而結實累累的飽滿情懷。
Woodblock printing has a long history. Although it is no longer widely used for commercial mass printing, it remains a significant medium in many art creations. Each stroke and carving brings to life images envisioned in the mind, conveying an organic, tactile quality and layers of emotion that digital imagery cannot replicate. This meticulous craftsmanship infuses warmth into the artwork. While the visuals often depict a world of stark black and white, the emotions conveyed are boundless.
This exhibition will feature the woodblock printing process, showcasing the organic texture, tactile quality, and warmth of the medium through the bird-themed woodblock prints by artist He Hua-ren, inviting viewers to appreciate the artist’s carefully cultivated, deeply resonant emotions.
Design by 四木設計 W/H Design Studio